17/12/2011

Buggin’ Out

Got an advance copy (cough) of Beats, Rhymes & Life and was reminded just how great Tribe Called Quest were/are. I remember buying the Low End Theory on cassette from Our Price. While the film itself doesn’t really offer the same kind of bizarre entertainment as Some Kind of Monster (where Metallica’s therapist tries to get a songwriting credit), it presented this video:

which, reminded me of this video:

and this one:

And while it doesn’t seem like any of this is worth a post, I’ve really got to start doing more with this blogging thing. I’m still thinking of going back to tumblr.

02/12/2011

52 Murders

Just a quick note that I’ve started a new site called 52 Murders, where I’ll be posting a new story every Friday for a year. Although they’re crime stories, it’s less about who done it as why. Have a look.

Link: http://52murders.tumblr.com

22/11/2011

Ether Books

Forgot about this until just now, but if you have an iPhone, iPad or Ipod touch, you should download the app from Ether Books. Loads of short stories on there, including one by me which was read out at Are You Sitting Comfortably?.

28/10/2011

Cakker (demo)

26/10/2011

Piece by Piece

Nobody was really taking the kidnapping seriously. The Heiress, after all, was known to be flighty and ran in bad circles and the overwhelming (but unspoken) opinion was that this was a ruse to raise some cash in excess of her already-generous (but oft complained about) weekly allowance.

Then the finger arrived.

It was wrapped in a note that made it clear that if the ransom wasn’t paid soon, more pieces would follow.

Her mother was distraught at the thought of her child being disfigured in such away.

Her father was furious at the gall of these low down criminals.

The police were ashamed at not taking the threat more seriously.

Only the private detective remained cool.

“Well, I don’t see there’s a problem,” he said, lighting a cigarette and pouring himself a drink. “Just keep them waiting and eventually… y’know…”

Everyone stared at the PI.

“What? You’ll get her back… and you won’t have to pay a cent!”

24/10/2011

Digested 24/10/11

Well, I was supposed to put loads of other stuff between these “what-I-have-been-consuming” posts, but other business has prevented that from happening this week. But it’s a good plan, so like a sanitary towel I will press on.

American Horror Story has been packed with so many cliches that it’s difficult to explain the programme’s appeal. Perhaps it’s the fact that it really is packed. Everything happens in such a short space of time that it becomes ludicrously entertaining. I’ve watched the first three episodes and already it feels like a whole series’ worth of events has taken place. It’s freebase horror, rather than the slow release opiates I usually prefer, but it’s so over the top that it’s difficult not to be drawn in.

Queen of Spades flyer thumb

Done a bit of the theatre this week by going to see The Queen of Spades at the Arcola. In the interests of full disclosure, I should state that this wasn’t the plan and that I had been intending to see Phaedra Wept by Sarah Kane, but that was sold out of pay-what-you-can tickets. So, there was this instead. Truth be told, I was kind of relieved not to see the Kane play, as it seemed pretty fucking miserable. Queen of Spades wasn’t miserable, exactly, but it didn’t really warm the cockles of the heart. An adaptation of a Pushkin short story, it’s a three hander told in rhyming couplets.  When my companion and I left the theatre our reactions were almost identical and can be distilled down to: “well, I’ve seen worse…”

Hip Hop: Beyond Beats and Rhymes, is a few years old, but the questions it raises about sexism, homophobia and violence in hiphop music are still very relevant. Unfortunately, my answer was to break out the old NWA albums and crank up the most offensive tunes I could find. Still, the documentary’s worth a look, if only for Busta Rhymes ducking the issue of homophobia in hip hop. It also reminded me of a unconfirmed rumour that flew around a while ago that Method Man and Redman, as well as being musical collaborators and bezzie mates, were in fact doing it on the sly. It should be pointed out that I don’t know if it’s true and that it also made My Mate The Rapper blanch at the thought, which is why it bears repeating.

Sunday turned into an unexpected Shatfest, when I found myself listening to this album (Spotify link) and reading Star Trek Memories, the introduction for which is so hyperbolic that it’s impossible to resist reading further.

Now I boldly go… into the bathroom, stumbling to the sink, where a sting of cold tile and a splash of cold water shock me at both extremities. The cobwebs finally begin to dissapate. I find my toothbrush, and in my hearly awakened state, I even manage to load it up. I now pause to admire my neatly symmetrical blob of tartar-control goo, lean in over the sink, look up into the mirror and come face-to-face with my own image, which scares me.

…My wrinkles, I muse, have been well earned, and they provide visual evidence of a career crammed with wonderful memories, and a life that’s been extraordinarily rewarding, both personally and professionally.

It’s not quite up there with Alan Partridge ending every anecdote with “needless to say, I had the last laugh”, but it’s a close second. And, to quote Shakin’ Stevens, it’s “lovely stuff”.

16/10/2011

Digested: 16/10/11

Gorged my way through Darths & Droids, which is perhaps the geekiest thing I’ve ever witnessed – a screencap webcomic that presents the Star Wars prequels as if they were a game of Dungeons and Dragons. It’s not an original concept, apparantly, but it strokes enough of my nerdbones to make me not care. As well as the characterisation of the players and explanation for the utter absence of logic in the Star Wars prequels, the footnotes also offer insight into the world of role playing games, a domain that I’ve always found both fascinating and mystifying. I like the idea of the acting, but all those statistics and dice seem too much like work.

I’ve never read a Tom Clancy book before (although I’ve played the games that allow you to fight for America’s oil interests overseas) and on a whim, I picked up Dead or Alive from my local Sainsbury’s. It’s unclear whether it’s actually written by Clancy – he seems to have transformed himself into such a brand that he no longer actually has to write his novels – but it’s pretty much what I expected in that it’s slightly to the right of the Kaiser. Despite his inroads into videogames and his love of surveillance technology, I don’t know if Clancy’s embraced the web and social networking to its fullest. A shame, because his love of TLAs (Three Letter Acronyms) could make him the first novelist to truly make good use of Twitter. 140 character chunks could make his Republi-run-and-gun tomes shorter and punchier. Whole chapters could be digested to single tweets:

SAM KOs USAF F16. Pilot MIA in UAE. CIC OKs CIA LZ

Leaving Clancy and his cohorts to repeat USA-USA-USA for the remaining 500 pages.

“Blankets” by Craig Thompson was a little more contemplative. It’s one of the those long, deeply personal comics about awkward young men who can’t express their feelings. Ten years ago, I would have lapped it up. Nowadays, I don’t have quite so much patience and found myself skipping through it quite rapidly. It did make me think about how I read comics, however. So long as the art isn’t horrible, I really won’t notice it. The art isn’t horrible in “Blankets” – a lot of it is really quite lovely – but I found myself flipping quickly through even the most beautifully illustrated pages. I’m clearly an ignoramus.

The latest Nerdist Writers Panel featured Jon Enbom and Rob Thomas, who created two of my favourite series in the past few years – Party Down and Veronica Mars. Having been through both those series several times, I went back to Thomas’ first series, Cupid, which had two incarnations, one in the late 1990s and one in the mid 2000s. It’s a high concept idea – possibly crazy man thinks he’s the god of love and has to get 100 couples together in order to return to Mount Olympus. It’s easy to see why it appealed to network execs, but it never quite works and I found myself wishing for a composite version that pairs that bloke off Larry Sanders with that woman from Studio 60. But that doesn’t exist.

So I’ve been consoling myself with Living Room Songs, a lovely collection of chamber music pieces written performed by an Icelandic bloke in his living room. There are seven songs to download for free. It’s been helping me write when I don’t want to, which is more than I can say for a certain other Icelander, whose latest album isn’t doing that much for me. Anyway, the first one’s embedded below. If you like, visit the site and download the whole lot for nish.

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30/09/2011

Cat

Q: Does this mean quantum physics is a) wrong, b) stupid or c) proof that God exists, is watching all of us and forcing the universe to compress into a single choice which we all witness?

A: All three (probably simultaneously).

30/09/2011

World’s Longest Prologue

Just finished part one of a book I’m writing and have realised, 72,000 words in, that the story is only just now starting. I don’t know if it’ll be the first part of a trilogy or just a first section, but it feels like all the real work is ahead. I have no idea if there is a world record for longest prologue, but feel that this would have to be in the running.

30/09/2011

Scaffiti

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30/09/2011

Bobby Sands & Mrs Doyle

Mrs Doyle: Hello there Bobby, how are you keeping?
Bobby Sands: Bearing up, Mrs Doyle. Bearing up.
Mrs Doyle: Well you look shocking. Look at you, there’s barely any meat on you. Are they feeding you properly in that there Maze?
Bobby Sands: They try, Mrs Doyle, but I’m on hunger strike.
Mrs Doyle: What’s that now?
Bobby Sands: Hunger strike, Mrs Doyle. I’m refusing all food as an act of political protest.
Mrs Doyle: Well why would you do a ridiculous thing like that for? Have you gone crazy?
Bobby Sands: I’ve lost my status as a political prisoner, Mrs Doyle and I won’t eat until the British government reinstates it. Me and my brothers won’t be treated like common criminals, we’re-
Mrs Doyle: Is someone stealing your food, Bobby? Are you being bullied in there?
Bobby Sands: No! This is my choice. It’s an act of political rebellion.
Mrs Doyle: Starving yourself is an act of rebellion? That’s about the silliest thing I ever heard. Are all those people in Ethiopia and the Sudan rebels are they? Did my Great Grandfather rebel himself to death in the famine? Come on, I’ll make you some sandwiches.
Bobby Sands: I don’t want any sandwiches.
Mrs Doyle: It’s no bother. I’ve got some of that peppered ham you like. Would you like some of that, Bobby?
Bobby Sands: I… no.
Mrs Doyle: Ah, I’ll make you some.
Bobby Sands: I won’t eat them.
Mrs Doyle: Well, that’s up to you. But I’ll make them and if you want them, you can have them.
Bobby Sands: Look, I know you’re trying to help, Mrs Doyle but there are other things at stake here.
Mrs Doyle: I won’t tell any of the other boys about them, if that’s what’s worrying you. It’ll be our little secret. Alright? Alright?
Bobby Sands: Ok Mrs Doyle, whatever you say…

29/09/2011

Decided not to have a Tumblr when I saw WordPress had little bitty post types on certain themes. Will repost last week’s stuff on here, I think.

25/07/2011

Biscuits in Fire & Knives #7

The lovely literary food magazine Fire & Knives has published a story of mine in its seventh issue. It’s about biscuits and is called “Biscuits”. I don’t have a copy yet, but have seen that it’s on sale in Foyles.

More details at www.fireandknives.com, where you can order a copy or find a local stockist.

11/07/2011

Northern Line

10/06/2011

Are You Sitting Comfortably?

Are You Sitting Comfortably? is a unique performance storytelling event with original stories every month, with a theme tying it (loosely) together…we serve free food like: fairycakes, cucumber sandwiches, ice cream, cream teas,and lollipops there are competitions and prizes there is great music and visuals to accompany the show.

One of my stories got selected for the event on 17th June 2011. The event is at Toynbee Studios, 28 Commercial Street, London E1 6AB.

Tickets are £8 and can be booked from ArtsAdmin.

Link: http://www.thewhiterabbit.org.uk

02/06/2011

Finally

I have a very short story called “Finally” in the summer 2011 issue of Flashquake. You can read online at issuu or order a print copy from Magcloud.

Site: http://www.flashquake.org

23/05/2011

Busker Tokens

Busker TokensPrint version (PDF)

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21/05/2011

Four Letter Words

Four Letter Words is just a sketch – a little thing to look at for a moment or two and then pass by. It’s one of a number of little ideas I’m trying in Processing – a programming language aimed at artists. The piece is technologically and artistically facile, but it’s a beginning.

What surprised me about the piece was the way the mind attempts to construct narratives out of random collections of words. Again, not exactly new territory (order from chaos and all that), but it throws up some interesting ideas about how little you actually need to tell a story.

It’s also made me think about font rendering, because despite setting the fonr and the runtime to smooth, it still looks pixellated as hell to me. I had envisioned beautiful anti-aliased typography. Instead, there’s jaggies everywhere, which I attribute to Windows’ font rendering. (It probably looks smoother on a Mac, but I’m not sure that means better. I always think that I’ll like Macs more, but when I use one, I feel like I’ve got cataracts.)  It contributes to my general sense of artlessness, which I’m having to come to terms with. I keep trying to make pretty things, but they come out… not.

See?

15/05/2011

Don Harris, Emotional Stunt Double

When Michael Potaskis’ relationship with his girlfriend went sour, he couldn’t face dealing with the whole messy breakup scene. Rather than man up and tell the truth, he called in Don Harris to do the deed for him. For twenty years, Don Harris has been standing in the firing line for people who can’t – or won’t – face an emotionally charged situation. He’s one of an increasing number of Emotional Stunt Doubles – brave men and women who insert themselves into the picture, take the brunt of a volatile situation and then exit stage right.

Once the details had been worked out, the scene was set. At dinner, Michael went into the kitchen “to open another bottle of wine”, but in reality he was making a seamless switch with Harris. Wearing Potatkis’ clothes and made up to resemble him, Harris entered the dining room, poured a glass of wine and told Jennifer that it was over. After a long conversation involving tears, shouting and repeated use of the phrase “it’s not you, it’s me”, Jennifer left and Michael emerged from the kitchen a free man.

“Clients often call on me for breakups,” Harris says. “I’d estimate that ending relationships makes up about 60 to 70 percent of my business. Breakups are my bread and butter.”

That may be, but some of the other dishes on Harris’s menu leave a slightly sour taste in the mouth. “There was a young man who’s parents both died on the same day,” he tells me. “For one reason or another, he wasn’t up to attending the funeral, so I went in his stead.  There was a bit of an age difference, but I made it work.” And what was the young man doing while Harris attended his parents’ funeral? “Smoking weed and playing videogames, as far as I know. What the client does off-stage is their business.”

I ask Harris if he ever worries that his work has a negative effect for those he doubles as and whether the stunting process might be two-fold. “I have thought about it,” he admits, “and I know there are people who don’t agree with the use of stunt doubles. But the way I see it, there are some people who just aren’t ready to face that sort of emotional peril. In a high-risk situation, it’s best to leave it to the professionals.”

With his bland everyman features and tough heart, Don Harris continues to take the hard knocks the rest of us can’t face. As I leave, he’s getting fitted for a wedding dress. “Gal’s going to jilt him at the altar,” he tells me. “It ain’t going to be pretty.” I still don’t know exactly how I feel about the idea of emotional ringers, but in the time I spent with him, I started to feel a real connection to Don as a person. Previously, I had imagined him to be made of teflon – a hard, non-stick surface to which allows no attachment.  Having seen him work, however,  I now know that he feels every word, every glance and every iota of pain that comes with his job. He is not an actor, pretending to be someone else, but instead he is a man who knows how to fall and get back up again. I asked him if it wouldn’t be better to teach people how to take the pain themselves, to learn his ways of taking the hit and bouncing back up. “I suppose I could do that,” he said, before winking at me and adding: “but then I’d be out of a job.”

04/05/2011

Conjoined Monologues

Collected in a PDF

07/04/2011

Rejection From The App Store

From: (deleted)@apple.com

Dear Mr Alexander,

Thank you for submitting SafeSchool 1.0 for our consideration.

Whilst we concede that parents may have use for an app that locates nearby schools and gives detailed information as to how secure their playgrounds and changing rooms are, we feel the potential for misuse is just too high. We are therefore rejecting your app and it will not be added to our catalogue.

I hope you will not be discouraged. Please feel free to submit any further apps through the usual process.

Yours,

(deleted)

iTunes App Store

20/03/2011

The Story of How You Were Born

We’d just moved into a two bedroomed flat, your mother and me, and we had different ideas about what we wanted to use the other room for. I wanted a games room and she wanted to turn it into a study. Well, things got pretty tense for a while and eventually we came up with the compromise that we should turn it into a nursery. I don’t think either of us were really happy about it, but it stopped the arguments.  Until you actually arrived, of course.

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12/03/2011

DIE

Click image for large version or click here for PDF.

It’s on a Creative Commons Attribution Non-Commercial Sharealike Licence, so if anyone feels the urge to do something with it, then please feel free.

Files used to make it are included in a zip file. This includes the two custom Truetype fonts (Snake Eyes Black and Snake Eyes White) which are so staggeringly incomplete that it’s almost laughable (capital letters and numbers 1-6 only, I think. Maybe a punctuation mark or two). There are also and a couple of .blend files which I used to tinker around with a possible masthead.

Support files in a ZIP (321k)

03/03/2011

My Michael Corleone Moment

Tom Alexander, do you hereby promise to undertake this blog as your sole internet presence?

I promise.

Do you forsake other domains you may own, be they under your own name or some silly pseudonym you have created?

I do forsake them.

And do you swear to stop registering new domains under the vain hope that it will motivate you to follow through on a half-baked idea conceived on the back of a napkin?

I do swear it.

Then inform your registrars and go in peace.

www.startsmoking.org got shot in a lift. (In reality, I stopped smoking cigarettes and since my mum was diagnosed with emphysema, I don’t really want to promote smoking. I have to admit it – the smoking ban worked, at least on me.)

www.twigofwoe.com gets trapped in a revolving door. (It was purchased for an idea that might come back in some form, but really was just a holding page.)

www.waywardpress.co.uk got popped by a cop. (It was going to revolutionise the publishing industry. Two books later, I realised that I didn’t really have the chops for it and that it was a stupid bloody name. It’s festered ever since.)

www.bigtom.biz gets the Mo Green special. (I honestly don’t know why I thought this was a good domain name. I think I was just getting tired of trying to think up something sensible and professional.)

www.nigerianviagra.com survives, but it’s out of the family business. That’s its punishment. (To be honest, it became clear pretty quickly that it wasn’t that good. Ah well.)

17/02/2011

Mario Stamp Mosaic

Stamp Mario

Mario mosaic, made from postage stamps. Cash value £14.91. Made as a birthday present for my brother-in-law. Gets a bit wonky towards the bottom.

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08/02/2011

Formulating the Ultra-Bromide

bro·mide [broh-mid] -n. 1. Chem. a. a salt of hydrobromic acid consisting of two elements, one of which is bromine, as sodium bromide, NaBr. b. a compound containing bromine, as methyl bromide. 2. potassium bromide, known to produce central nervous system depression, formerly used as a sedative. 3. a platitude or trite saying. 4. a person who is platitudinous and boring.

I tend to think that any word with multiple meanings should possess all those qualities at once. Working from this basic fallacy, I shall attempt to scientifically formulate a cliché so powerful that it will cause anyone hearing it to fall into a coma. In order to do this, I shall first acquire the elements required in order to create the compound. It goes without saying that these platitudes are highly volatile and should only be handled by trained wordsmiths.

The first ingredient is a fairly new discovery, but one which has been shown to be extremely potent.

It’s like Marmite – you either love it or hate it.

While it originated in an advertising campaign, this simple phrase has captured the public imagination and is now applied in any circumstance that requires a choice – i.e. any situation ever. It’s been co-opted by the British National Party, as well as other less dangerous but equally moronic dullards. The rapidity of its integration is due in no small part to the fact that it is the greatest lie ever told, scoring almost a perfect ten on the Hitler Scale (which is the standard dataset for lies vs gullibility of mass populations). Time and time again, objective studies have shown that the majority of people have no strong opinions either way on the taste of brewer’s yeast, and yet individuals buy into the falsehood rather than trust their own senses. Thus, the potency of the Marmite lie makes it an ideal base ingredient for our concoction and shall be ascribed Mm in all subsequent formulae.

Such instantaneous insipidity can be volatile, however, without a complimentary element to balance it out. It seems almost paradoxical to speak of depth in regard to clichés, yet there is a powerful dullness to our next ingredient, which is much loved by readers of self-help books (and ogres).

It’s like an onion. There are layers that need to be peeled away

Many things have layers, but the onion has become the standard bearer of all concepts of stratification. While it is true that onions do have layers, the use of this particularly trite piece of wisdom has another onionish quality – namely that it induces people to cry uncontrollably like Glen Close in Fatal Attraction (often while holding a knife, although the blonde bubble perm is a matter of personal preference). The addition of the onion metaphor adds the illusion of depth to our ultra-bromide formula and has been assigned the symbol On.

While the layers of the onion metaphor give depth, the quantities produced are insufficient to thoroughly saturate the recipient in vacant pseudo-knowledge. To rectify this, a multiplying element must be introduced. With this in mind, there is only one ingredient that can possibly fit the bill.

It’s like buses – you wait ages for one and then three come along at once

While the truth or otherwise of this statement may vary depending on geographical or historical circumstances (London buses for example, were notoriously unreliable in the latter half of the twentieth century, but have undergone somewhat of a renaissance under the Transport for London regime of the early 2000s), the enduring legacy of the bus maxim is now accepted as universal truth. As with all laws of nature, it can be applied to anything in any context and its purpose within the ultra-bromide is that of a mathematical multiplier. Rather than assigning a symbol, we take the integer values from the aphorism itself and apply them to our pre-existing elements Mm and On.

There is a danger, however, that using a multiplication factor could duplicate any small grains of truth contained in the constituent parts and transcend the confines of cliché and enter the realm of the truism. Thankfully, such an occurrence is negated by the use of the bus maxim, in that the initial waiting period indicates that while waiting for one (1) bus, no (0) buses are present. As multiplication by zero produces zero, there is therefore nothing to be multiplied when the three (3) buses finally appear. Hence we arrive at the complete equation, thus:

Which, when translated into plain English, reads something like this:

It’s like an onion covered in Marmite – you spend ages trying to peel off one layer, then three come at once.

Studies are ongoing.

06/02/2011

Where’s Randy Savage?

http://wheresrandysavage.tumblr.com/

28/01/2011

Top 3 annoying songs that I whistle badly in order to irritate my flatmates

  1. Imperial March
  2. Let’s All Go To The Lobby
  3. Higher State of Consciousness (Tweekin’ Acid Funk Mix)
27/01/2011

Maury Finkel is my guru

Do it.

04/11/2010

Inherent Tension

Ding!

“Going up?”
“Down.”
(Loser)
(Show-off)

Ding!

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13/08/2010

The Waggle Dance

My story “The Waggle Dance” has been published online at www.twisted-tails.com. It probably tries to cram too much in (which was partly due to trying to meet a word count), but the end always freaks me out when I think of it, particularly the nurse drying the tears. Does that count as a spoiler? Nah. Anyway, have a read.

www.twisted-tails.com

(Update: The site seems to have gone down. Such is the nature of online publishing.)

28/07/2010

Benedict Bloody Cumberbatch

As a first year undergraduate at the University of Manchester, I was flung towards a random collection of strangers and told that I had to share a flat with them for a year. Such is the fate of all those living in halls of residence and, for the most part, it worked out well. Despite being a hugely antisocial person, I got on well with people and in that time made several friendships that have endured over the years. One of the first people I met was a drama student called Boycie (yes, like in Only Fools and Horses), a first year drama student with a worldliness that I found slightly intimidating. He alluded to all sorts of colourful exploits and was the first man I ever met who cleansed, toned and moisturised. We had our differences, but we quickly bonded over a shared love of vodka and B&H.

As the year progressed, Boycie took part in many a student production and the rest of us would hear tales of his new, fabulously bohemian lifestyle. One evening, he told us about a young actor who had the lead in the production of The Front Page running at the Student Union.

“He’s great,” Boycie told us. “Very talented. Quite good looking, but not a pretty-boy. But he’s going to be famous. “

We asked his name and the rest was history.

From that point on, Benedict Cumberbatch became a mythical figure in our household. We knew, logically speaking, that he was probably the same age as us, but somehow the name felt like it belonged to someone older; a grizzled theatrical stalwart who had been around for yonks. We pictured him as half deaf, half mad, absolutely soused and forever dining off anecdotes about treading the boards with dear Larry. And he was always Benedict Bloody Cumberbatch, as in:

“BOYCE? IT’S BENEDICT BLOODY CUMBERBATCH! I’VE GOT TREVOR NUNN WANTING ME TO PLAY ESTRAGON AT THE NATIONAL. I TOLD HIM TO SHOVE IT UP HIS BLOODY ARSE!”

“HELLO? HELLO? IS THAT YOU, BOYCIE? IT’S BENEDICT BLOODY CUMBERBATCH. I’VE GOT PETER AND RICHARD COMING ROUND FOR TEA. I NEED YOU TO BRING ME A MALT LOAF AND A BOTTLE OF ETHER.”

“BENEDICT BLOODY CUMBERBATCH HERE. I CAN’T BE SURE, BUT I THINK I HAVE YOUR TROUSERS.”

And so on. It was nice to while away the hours, imagining this eccentric old ham shouting at all and sundry. Eventually, of course, we went to one of Boycie’s student productions and got to see the man himself. While he was obviously a fantastically talented actor, all of us felt a little disappointed to find out that he was only human, after all.

Now, of course, he’s now doing frightfully well for himself, having been on the telly and in proper films and everything. I can only hope that he has a long and fruitful career, full of incident, applause and no small dollop of bad behaviour. Hopefully, in forty or so years time, I can contrive a reason to speak to him and he, now as addled as he first was in my mind’s eye, can say the words as they were meant to be said:

“TOM? IT’S BENEDICT BLOODY CUMBERBATCH!”

04/05/2010

Classified Ads

21/04/2010

Message To Marta

“Message To Marta” is the featured story in Spike The Cat‘s anthology Adventures in Time and Space, Volume 1.

Available as a print edition and an ebook from www.spikethecat.co.uk. Very chuffed to be chosen and absolutely delighted by the cover, which is the work of Zoe Day.

05/04/2010

Tine

I love InDesign, even if it hates the things I do with it.  Things like this usually go straight to Twitter, but the sequence of Mime – Mine – Tine was too good to pass up.

Photo courtesy of winterofdiscontent, via Creative Commons.

30/03/2010

MINE

‘MINE’ is a small, unfolding story presented in A6 mini-map format.  The reader starts at the front and follows the instructions to go further.

Copies have been left at these locations in London:

Fix, Whitecross St, EC1.

Camden Lock Books, Old Street Underground Station.

Clerkenwell Tales, Exmouth Market, EC1R

Stoke Newington Bookshop, N16.

Artwords Bookshop, Rivington St, EC2.

It’s been released as Creative Commons, meaning people can redistribute as they see fit.

PDFs in a Zip: http://www.megaupload.com/?d=FF5CDFIM

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26/02/2010

Confessions of a Dangerous Mime

That facepaint I gave Pierre is lead-based.

I dumped a load of old newspapers in the back of our rehearsal space, in clear violation of the fire code.

I have given at least three members of my physical theatre group a staph infection from not properly cleaning the stage.

I spent the whole of last year’s Mimos Festival absolutely ripped to the tits on ketamine.

That bit I did at the school, where I pretended to almost drop the kid? Yeah, that wasn’t part of the shtick.  He. Wouldn’t. Stop. Talking.

I often fantasize about what I’d do if I had a time machine. Most of my scenarios involve travelling back to 1910 and killing Marcel Marceau.

I didn’t learn how to improvise at L’École Internationale de Théâtre Jacques Lecoq.  I learned how to improvise in prison.

I got my “man in a box” routine from watching my little brother climb into the tumble dryer when I was eight.

Whenever we warm up by throwing the invisible ball around, I always imagine I’m throwing Celine the severed head of her idiotic boyfriend.

Most of the routines I’ve been working on in the past six months are based around breaking into people’s houses and standing over them while they sleep.

I always tell people that my contributions to the Political Artists’ Picnic are completely nut-and-gluten free.  I have never once checked to make sure this is true.

05/02/2010

Why Not Be A Writer?

Click image for PDF

09/01/2010

Lubya’s Story

Lubya came to the UK from Cechnya, smuggled illegally in a freight container. Like many immigrants from the east, she found herself beholden to those that had brought her here and told that she must work off her debt. She was placed in a massage parlour, where she worked as a prostitute. Horrific enough, one might think, but from here Lubya’s story takes an altogether more sinister turn.

“They told me I wasn’t making enough money,” Lubya tells us, “and in order to get more, they want me to have surgery. I don’t like the idea, am scared about it, but what could I do? At first I thought they wanted me to have boob job, but then they tell me what it is really about. They want to turn me into an animal.”

In this case, Lubya is not speaking metaphorically. For some time, police and academics studying the sex industry have become gradually aware of a new trend in the sex industry – prostitutes transformed into other species by means of surgery. The transformations go beyond simple roleplay or dress-up fetishes and alter the physiology of the women at a core level.

“At first I thought it was a joke, like it was some sort slang word, but then they showed me other girls they had done this to. One of them was an ostrich, another one had been turned into a donkey. I couldn’t believe my eyes, but they tell me that this is what I must do if I want to stay here in the UK.”

Lubya never had a choice. The people she was working for intimidated her and threatened her family. Held hostage in a foreign country, Lubya submitted to the will of her captors and agreed the surgery.

“The place they took me to, it was not a hospital. It was dirty, more like a butcher’s shop than a place of medicine. The man they called doctor looked like a mechanic. He didn’t really talk to me. No-one did. They just looked at me like I was a piece of meat. I suppose that’s all I was.”

The surgery took eight hours. Lubya was conscious for most of it, apart from when the pain became too much to bear and she blacked out. The pain did not end with the surgery. For months afterwards, Lubya suffered the after effects of the haphazard procedure – debilitating pain in her arms, legs and body, severe headaches, nausea and blackouts. None of this, though, compares to the psychological trauma she suffered.

“After the surgery, I was in so much pain that I could hardly move. Even to lift my arm was agony, but I had to see myself in the mirror. I had to know what I had become.”

With the bandages removed from her eyes, Lubya was confronted with a reflection that she did not recognise. Lubya, a petite and attractive young woman, had been transformed into a bear. Her slim, 5’2” frame had been stretched beyond its natural limits and fur had been crudely grafted onto her skin. Her face had been extensively remodelled and she found herself unable to stand on two feet for more than a minute at a time.

“I hated it,” Lubya says now, still visibly shaken by the memory. “Every time I think of that first time, seeing what they had done to me, I want to cry all over again. They robbed me of myself and I hate the fact that I let them do it.”

Eager to capitalise on their investment, Lubya’s handlers gave her little time to recover. Within days she was moved from the massage parlour she had previously worked in to a specialist site outside the city, where transformed prostitutes are available to high-paying clients. These ‘sex zoos’ (Сексуальный зоопарк in Russian) are a growing problem, but no-one seems willing to act against them. One officer who wished to remain anonymous stated that the authorities were well aware of the problem, but that a territorial dispute between agencies meant nothing was done.

“It’s basically an issue of jurisdiction between the police and the RSPCA. Neither of them is wants to do anything about the problem, but they don’t want the other one taking charge, either. It’s a political mess and the real problem carries on unabated.”

Not, however, for Lubya. She escaped her captors and is now undergoing a programme of physical and psychological recovery. Slowly, she is learning to cope with the after effects of her ordeal and is undergoing physical therapy to reverse some of the damage caused by her bizarre and unnecessary surgery.

“I’ll never be the same,” she says now, “but if I only do one thing with the rest of my life, it’s got to be telling my story to the world. There are other women out there, just girls really, who may find themselves in this situation and I won’t let the world ignore them. If I can prevent it happening to others, then it will not have been in vain. I hope that we can end this stupid, barbaric thing. No woman should have to be turned into an animal.”

31/12/2009

People I Am Not

I am not Tom Alexander, a commodities broker with 24 years experience. If you want his financial expertise, go to www.alexandertrading.com.

Nor am I Tom Alexander, former racing driver and current CEO of the mobile phone company Orange. If you want to know why the future’s bright, go to www.orange.co.uk.

I wish I was as talented as Tom Alexander, the noted accordion player and one half of the successful Scottish folk music act The Alexander Brothers. To find out more about his beautiful Celtic stylings, please visit www.alexanderbrothers.com.

(Continuing the Celtic music theme, there are people who say I look like the Spanish Bagpipe player Carlos Nunez, but I refuse to acknowledge any similarity and in any case am not him.)

I don’t know much about the Tom Alexander who is married to a woman called Sanjivini, apart from the fact that he owns the domain name I originally wanted, www.tomalexander.com.

And I think I’m better off not knowing about Jockstrap Radio, one of the many projects created by the prolific Tom Alexander at www.alexanderproductions.com.

I’ve never been that strong a swimmer and judging from his Olympic records, neither was Thomas “Tom” Alexander, who was eliminated in the first round of the 400m Men’s Freestyle at the 1976 Olympic Games.

Some people might take the piss out of a photographer who doesn’t put a portfolio on their website, but given that Tom Alexander offers “Custom Gun Photography” in his range of services, I wouldn’t be one of them. So head on over to www.tomalexanderphotography.com and order some headshots.  We wouldn’t want to make him angry.

I did not die on the 4th of November, 2008.  That was the legendary trial attorney Tom Alexander, who is remembered fondly by the legal community of Houston, Texas.  An anecdote can be found here.

Given that he has a record of zero wins, zero losses and zero fights, I could be the Tom Alexander listed on the MMA site www.sherdog.com.  When one considers that there isn’t a picture of him and he doesn’t have much of a reputation to protect, I could easily claim it’s me and no-one would know the difference.  But it’s not, so I won’t.

Nor would I claim to be Tom Alexander, the realtor from Greensboro, NC, if for no other reason than his website (www.tomrealtor.com) has squashed his face in quite an unpleasant way.

I’m not the Tom Alexander with his own forge.

I’m not the Tom Alexander that runs the hydroponic website www.growingedge.com.

I’m not the Tom Alexander who wrote and directed The Dark Dealer (which is a shame because it sounds like the sort of cheesy horror anthology I’m rather partial to).

I’m not even the person who came up with this whole namesake idea.  For him, you’d have to go to www.davegorman.com.

But given that he’s not called Tom Alexander, why on earth would you want to?

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23/12/2009

Sarcastic Punctuation

Text can be difficult, particularly when it’s used casually and without proper context. With text messaging, email and social networking, I would argue that people are actually writing a lot more than they used to, albeit often in truncated form. Standard text messages have a limit of 160 characters (Twitter shrinks this further to 140), social network messaging rarely extends beyond a line or two and while email does lend itself to longer messages, the advent of always-on connections have shifted the form from a epistolary form to that more closely resembling CB radio, where messages ping back and forth at stilted intervals.

As communication increases in volume but diminishes in depth, some things get lost along the way, most notably nuance and it’s here that the problem lies. Various factors, such as time, availability and access conspire to transform all of our fabulous new ways to communicate into petty battlefields of misunderstanding. All to easily, messages are misunderstood and the remainder of the conversation is reduced to ascertaining whether a particular statement was meant seriously, or whether it should have been taken with a pinch of salt. Those who misunderstand are labelled as stupid, while those in the know come across as unbearably smug. This is seen most often in message boards and forums, where much of the conversation is based solely around previously posted messages and thus descend into ouroborean recriminations about who said what and what was meant by it.

It is in order to prevent this spread of petty name-calling that I propose a specific punctuation mark designed to indicate sarcasm. This should be used to indicate that a statement is not intended to be taken seriously and does not indicate the true feelings of the writer. The use of such visual indicators might seem heavy-handed, it is my belief that through use of this typographic cue, we would save a lot of fuss and bother. It could be argued that good writers should be able to make their intentions clear, but this proposal isn’t intended for the Will Selfs of the world. It’s intended for idiots who post on forums without thinking and send emails without proofreading. Idiots like me.

My first experiments with sarcastic indicators were based not upon punctuation marks, but text styling. It was my belief that in an irony-laden internet that it was more important to indicate piss-taking than it was to use bold, underline or italics. Examining a chart of CSS text decoration led me to believe that the overline could become the new indicator of flippancy, as seen in this example.

I saw a lot of films this year. Of them all, Twilight:New Moon was the best.

Initially, this seemed fine, but an isolated sarcastic statement on the internet is a rare beast indeed and when the overline is used more extensively, the problems become apparent.

There were a lot of good films that came out in 2009. Most thought-provoking of all was 2012, the film of the year. I doubt there’s a film-maker alive who’s better at handling subtle emotional scenes than Roland Emmerich.

Used in a longer paragraph, it becomes confusing as to what is being underlined to indicate emphasis and what’s being overlined to indicate sarcasm. In addition, overlining has certain technical requirements that could prevent its spread. While the CSS code can be inserted into webpages, it’s unusual to see such extensive text formatting in the average email client, forum input box or similar. If sarcastic internet punctuation mark was going to flourish, it would have to be usable in any context, and this meant it would have to be applicable in a plain-text environment.

With this in mind, I looked at the keyboard in front of me and thought about the keys I never used. There was the tilde(~) which didn’t see much action, but some research indicated that it was often used by game developers to bring up the control console and had become somewhat established in this context. It also has its uses in Linux and Windows command lines, which could lead to both technical mishaps (typing a message into the wrong window and accidentally deleting files, for example) and perhaps a reluctance on the part of geeks to learn a new use for a symbol they are already so familiar with. (For people keen on learning, geeks can be remarkably resistant to change.)

It was then that I noticed a key towards the top-left of my keyboard, just below the Escape key, bearing a symbol that I couldn’t remember ever using.

¬

I had no idea what it meant, but it seemed to be in a prominent position and it didn’t require an arcane combination of Alt-Ctrl-Shifts to produce, so it had to be something useful. Being the lazy internet slug that I am, I looked it up on wikipedia and discovered that in mathematics it indicated negation. Put simply, writing ¬P indicates notP.

Perfect. If we are to use this as punctuation, then anything following a ¬ is not what is written. Therefore ¬Twilight:New Moon was the best film of the year is, in case you hadn’t guessed, an utterly bogus statement.

However, misunderstandings can still occur. It’s difficult to tell where the sarcasm stops, both in the case of the above statement, but more generally with the internet as a whole. Therefore, I would advocate that negation marks should encapsulate the statements so as to provide a definite start and end to the mockery. Otherwise, Lynn Truss is going to get angry with us and have to write another book. ¬Not that I’d mind. I really respect her.¬

A potential stumbling block for the use of ¬ as a punctuation mark is that, while it is easily accessed on UK QWERTY keyboards, other layouts place it in less obvious positions. The symbol is nowhere to be found on a standard US keyboard and while I could make a smug comment about Americans never being able to grasp irony, I will instead point out that it can be accessed by using the AltGr+\ key combination. While this lacks the immediate appeal of the UK designation, it does allow Americans to devlope empathy for their non-English speaking friends who have to use all sorts of strange key combinations to access their variant letters, where we Anglophones have them all laid out in front of us.

Whether the accessibility of ¬ proves to be a stumbling block to its usage remains to be seen. What’s more likely is that nobody will ever take up the idea and misunderstandings will increase in both size and severity. With an increasing amount of social and political interaction taking place online, the consequences of these crossed wires will become ever more severe and will, perhaps, lead to a fall-out of apocalyptic consequences. The seas will boil, the skies will fall and Michael McIntyre will finally be revealed as the Antichrist. He will lead an army of darkness that will fight the war to end time and billions will die in the process, all of which could have been avoided if people had just heeded my warning and made it clear when they were being sarcastic on a bloody message board and not wasted my time with their STUPID jokes…

¬

13/12/2009

Henry

28/08/2009

Q

“Welcome back, 007.  How did it go?”

Bond said nothing.  On the long haul back from the Sudan he had spent hours – days even – imagining this conversation.  He had turned over the options in his mind, mentally rehearsing all the things he wanted to say to Q.  His relationship with the weapons expert had been fractious over the years, but where previously he had always been made to feel like a naughty schoolboy, now he was bristling with justified rage.

“Could have been better, could have been better,” Bond said, emptying out his pockets.  ”A few bumps in the road.  One or two sticky situations.”

“I’m sure,” Q said, surveying the equipment as 007 laid it out in front of him.  ”I see you’ve managed to bring back your equipment back in one piece.  For once.”

“Yes.  As it turns out, all this was about as much use as a chocolate teapot.”

There was an awkward pause.   “Excuse me?” Q said, his eyebrows raised in surprise.

“Absolutely.  Bloody.  Useless.  All of it.”

Q scratched his temple and looked a little nervous.  ”Really?”

Bond picked up the Parker pen from the assorted gadgets strewn on the workbench.  ”Tell me about this… thing,” he said, handing the pen to Q.

“It’s quite simple, really.  Just click the top and the pen shoots a high intensity laser from the barrel, deadly to a range of 50 metres.”

“All well and good, but what’s the problem with it?”

Q stared at the pen.  Stared at Bond.  Stared at the pen.

“I wasn’t aware there was one,” he said.

“Well, let’s say an agent in the field is perhaps wanting to pay for something using Her Majesty’s Credit card.  Imagine this agent is going to sign the check at a restaurant and then burns the table in half.  Do you think that’s a problem?”

“007, I can’t be held responsible for your forgetfulness.  If you can’t keep track of your equipment, then that’s your own lookout.”

“Oh I can keep track of it.  I just thought that if you were building a weapon into a pen, it might also function as a pen, you know?”

Q shrugged his shoulders.  ”It’s not that simple.  The laser fuses the ink, you see…”

“Well, I’m going to need a new chequebook as well.”

“You’ll have to talk to finances. Not my department, you see.”

Bond waved away his excuses.  ”Never mind that, what about the suitcase?”

“Ah yes, the suitcase,” Q said, his chest swelling with pride.  ”Contains a parachute that will deploy within two seconds of being activated.  Perfect for those impromptu skydives that you seem to be so fond of.”

“That’s as maybe, but there’s no room to put anything in it.  Like my clothes.”

“Sacrifices have to be made, 007.  And if you’re falling out of a plane, which would you rather have – a parachute or your pyjamas.”

“A parachute.  But when I’m travelling across the desert, I’d rather carry my belongings than a parachute I’m not going to use.”

“You say that now…”

“I say that always.”

“So… you didn’t fly to the enemy base?”

“I rode a Camel.”

“I see.”  There was an awkward pause and Q felt rather embarassed.  Trying to save a little dignity, he said: “What about the watch?  Surely you found a use for the watch.”

“The watch did tell the time,” Bond conceded.  ”As for the grappling hook that shoots out the front, that did me no good whatsoever.”

“How about the umbrella with the speargun?”

“I was in the desert, Q.”

“Hm.  The shoes with the ice-skates in the bottom?”

“Ditto.”

“What about the cigarettes filled with cyanide?”

“Gave them to a beggar.  Still feel guilty about that, but it was hot and I was forgetful.”

Q walked around to the other side of the workbench, his hand trailing over the equipment he had so lovingly crafted.  ”So what you’re saying is that none of this was of any use to you whatsoever?”

“That’s it exactly,” Bond said, his eyes hardened like steel.  ”But you know what would have been handy while I was facing down a dozen enemy agents?  You know what might have come in useful while I was grappling with the henchman and in mortal combat with the evil mastermind behind it all?”

“What?”

“A gun.  A gun that shoots bullets from the end.  A gun that doesn’t pretend to be anything else.  Not concealed inside some salad tongs, not made out of rubber to fool the enemy.  Nothing clever.  Nothing fancy.  Just a gun.”

There was an awkward silence before Q erupted in gales of laughter.

“Oh, 007!” he cried, wiping the tears from his eyes. “You’re so old-fashioned!”

Bond shook his head.  ”Fuck off, Q,” he said, before walking away to find someone to flirt with.

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01/07/2009

Nuns & Ammo

Nuns-and-Ammo-Sampler-1-1

4 page preview of Nuns & Ammo, the premier convent combat monthly. In this special mini-mag, Sister Assumpta from the Order of The Blessed Heart talks about her love for Glock handguns. Hallelujah!

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Read online at Scribd

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11/06/2009

Primitive Man

Primitive-Man-1-bw

14/05/2009

Fudge

Fudge-2nd-cover-concept

One day I might expand this more fully, but for the moment it’s just a cover concept – a magazine that deals with games like hopscotch, conkers and tag with the same seriousness as the videogame magazine Edge.

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04/05/2009

Squatter

The police officer and the council official looked at each other. This wasn’t going according to plan and they sensed that it wasn’t going to get better any time soon.

“Listen,” the council official said, “we’ve got an eviction notice signed by the magistrate. This is an illegal obstruction and I’m ordering you to move, or I will ask the officer here to move you forcibly.”

The old man raised an eyebrow, amused at something beyond the narrow comprehension of the council official.

“Forcibly?” he said. “Now what does that mean?”

The police officer supplied the definition. “It means that if you don’t hoppit, quick-sharp, I’m going to haul you into the cells.”

Not wanting the situation to escalate any further – there were several members of the press lurking around – the council official said, in his most reasonable tone of voice: “Look, you’ve made your point. We know how you feel about the site, but this has gone on long enough. The judge signed the order. You have to move. We don’t want a scene.”

“Oh, we wouldn’t want a ssscene,” the old man hissed. “Of course not. Anything can happen in this land, so long as nobody creates a scene!” His arm pointed to the triptychs, his robe flapping in the breeze. “This monument has stood here for thousands of years longer than you, me or your silly council. No-one has the right to deny access to the spiritual power of these stones. I have been appointed by the Council of British Druids to protect this sacred site and protect it I shall.”

“All right, I think we’ve heard enough,” the council official said and gave the nod to the police officer.

The police officer stepped forward. He had served in the Wiltshire constabulary for more than fifteen years and nothing gave him greater pleasure that roughing up the weirdos that congregated around these bloody stones. He figured that this would win him a promotion and while he was keen to impress his superiors, the old man in front of him had closed his eyes and was muttering something weird.

“Daminus, Ramilan, Sorinum, Lankin-Lan…”

The police officer looked at the council official, who just shrugged his shoulders.

“Saminor, Ashlkilar, Poorus, Charnog…”

“Right, me old china,” the police officer said, making a move towards the mad old druid. Before he could lay a hand on him, however, he stopped.  The policeman could feel a strange tension in his back, as if his spine was compressing due to some huge invisible weight.  With a mounting sense of horror, the police officer realised that the ground appeared to be rising up to meet him, and this mounting horror turned to blind panic when it became clear that the ground wasn’t moving, but he was shrinking.  He tried to cry out in pain – the invisible pressure from above was agonising – but all that emerged was a strangled gargle.

“Good god!” the council official exclaimed, watching the policeman curdle downwards from a 6 footman, to a midget, to a lumpen mass of flesh and bones that stood no more than four inches off the ground.  The council official tried to turn and flee, but found himself rooted to the spot.  He could feel the bones in his legs splinter and shatter as his body forced its way into the ground.  He looked to the press corps, standing only twenty feet away from him, but it was as if they didn’t see him.  In fact, it looked like they were packing up and going home, somehow having been convinced that there was no story here.  The council official, still holding his clipboard, looked up at the now-looming figure of the druid. In less than a minute, the council official’s entire body occupied a space no bigger than a large Dundee cake.

“Karka-dun, Salararder, Civimus, Tauton Rundar.”   The druid opened his eyes and finished his incantation with one final word.

“Busybodies.”

Source: http://www.guardian.co.uk/uk/2009/may/03/stonehenge-king-arthur-protest

14/04/2009

A Stalking Horse – Part 3

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stalking-horse-pt3-2
stalking-horse-pt3-3

stalking-horse-pt3-4
stalking-horse-pt3-5

Part 1 Part 2 Part 3

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01/04/2009

Taxi Driver Movie Fun Mag

Taxi Driver Movie Fun

Taxi Driver Movie Fun Mag is a great new monthly magazine for kids, featuring everything you’d ever want to know about Scorsese’s 1976 masterpiece of urban alienation.  It’s got games, gossip, puzzles and prizes – check out this special 8-page sample issue now!

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Read online at Scribd

19/02/2009

Telly Mag Tat

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